I’m Benjamin Roberts.
I write musicals! Recent projects include Ferdinand (music, lyrics, co-book) and Tomás and the Library Lady (music) with José Cruz González.
I also compose concert music. In 2023, I was commissioned by The White House to write a fanfare for the historic first meeting of Presidents Joe Biden and Xi Jinping. I serve on active duty as staff composer and arranger for United States Air Force Bands, and my original works and arrangements have been featured on CBS, ESPN, at the Monterey Jazz Festival, the National Association of Music Merchants (NAMM), and the Texas Music Educator’s Association (TMEA).
Lauded by The Chicago Tribune for “singular orchestrations” at the acclaimed Marriott Theatre, I’ve provided arrangements and music prep for Broadway stars including Stephen Colbert, Brian d’Arcy James, Jessie Mueller, Ethan Slater, Heather Headley, Richard Kind, Harry Lennix, Lena Hall, Tony Roberts, Jennifer Holliday, Ana Gasteyer and more…
Graduate of Northwestern University. Born and raised in Austin, Texas. Based in the San Francisco Bay Area. Click here to get in touch.
Tomás and the
Library Lady
Music by Benjamin Roberts
Adaptation by José Cruz González
Based on the book by Pat Mora
Theatre Orchestrations
I’ve had the pleasure of providing orchestrations, arrangements, and music prep for a host of Broadway stars and talented artists across the country. Sometimes I’m reimagining a classic score and sometimes I’m forging a new soundscape for a contemporary musical. Here are some recent highlights!
I had a blast scoring this bang-beat, great-go, neck-or-nothin’, every-time-a-bull’s-eye musical for Chicago’s acclaimed Marriott Theatre!
There’s nothing as exciting as creating a new musical! Working with The Human Race Theatre Company in Dayton, under the musical direction of Brad Haak…
My orchestrations for Damn Yankees got a special shout-out in the Tribune! Thanks, Mr. Jones! Of course, it helps to have an all-star team with music director Ryan Nelson and conductor Noah Landis.
Soho House is a new cozy, classy venue fit for Austin’s best artists, and Seth brought the house down at this one-night-only event featuring my arrangements and orchestrations.
For the latest musical by Suzan Zeder and Jenn Hartmann Luck, I got in on the ground floor, transcribing all of Jenn’s original guitar demos and arranging them for piano.
Ithaca’s Hangar Theatre Co. premiered my six-piece reduction of this classic, and audiences were thrilled!
As a conductor, music director, vocal arranger, orchestrator, and copyist, I helped create four incredible student-written musicals, making friendships that will last a lifetime.
It’s hard work preparing anything for publication, and the music of GRETEL! requires actor-musicians, careful timing of dialogue, and a cello part chock-full of extended techniques!
As a music director, arranger, and a singing, dancing bumblebee, I put an entirely new, folky twist on Allan Friedman and Kristin Sergel’s classic Winnie the Pooh score.
I had a great time returning to my hometown to orchestrate a combo reduction of this classic score for Summer Stock Austin!
I was stoked to spend this summer working Lance Horne, Matt Aument, and Macy Schmidt as a music assistant for the star-studded staged reading of REEFER MADNESS, directed by Broadway’s Stephen Brackett.
Jennifer Holliday brought the house down with my arrangement of And I Am Telling You at this star-studded event, hosted by Matthew McConaughey!
It’s always a thrill to return to this classic, this time as a copyist. Teaming up with orchestrator Bryan Eng, I provided Transcendence Theatre Company with some charts to kick off their season!
I was the lead copyist for the debut production in LA at Hudson Mainstage, and I’ve been thrilled to see its recent NYC outing take off.
Jeff Award-winning director Nick Bowling’s bold twist on this classic called for a new orchestration take as well, and I was happy to oblige!
For Northwestern’s 77th annual Dolphin Show, I put my hand in as a copyist and music assistant.
I kicked off this year as a copyist, preparing parts for Bryan Eng’s clever reduction of A Chorus Line at Northwestern University!
As an orchestrator and copyist for Northwestern’s A Starry Night gala, hosted by Stephen Colbert, I had the pleasure of working with Brian d’Arcy James, Adam Kantor, Richard Kind, Ana Gasteyer, Heather Headly, and more!
“The most pizzazz of any recent show at the Marriott, partly due to the singular orchestrations…”
– The Chicago Tribune
on Damn Yankees (2023)
Concert Music & More
My music has been performed at The White House, the Monterey Jazz Festival, the Texas Music Educator’s Association (TMEA), The NAMM Show, the North American Saxophone Alliance (NASA), and on CBS and ESPN. Shop my full catalog below.
This touching story will delight and engage audiences of all ages! This whimsical arrangement, reminiscent of a Looney Tunes "Silly Symphony," employs a narrator reading aloud from Olive, the Other Reindeer as the concert band accompanies the story.
The 1997 children’s book, Olive, the Other Reindeer, by J. Otto Seibold and Vivian Walsh, tells the story of a Jack Russell Terrier named Olive who, after hearing the lyrics “all of the other reindeer,” mistakes herself for a reindeer, and travels to the North Pole to help Santa Claus deliver presents on Christmas Eve. In 1999, Olive… was adapted into an Emmy Award-winning animated musical comedy film starring Drew Barrymore.
“I Remember” is a moving ballad by Stephen Sondheim, one of the world's preeminent theatre composers. This lush arrangement features a mezzo-soprano soloist and a full concert band accompaniment.
This song comes from Evening Primrose, a hidden gem of a musical premiering on ABC in 1966. The plot focuses on a poet who takes refuge from the world by hiding out in a department store after closing, where he meets a community of night people who live in the store. He falls in love with a beautiful girl named Ella, who sings “I Remember” about the only time in her childhood when she saw the outside world. Her recollections of sky, snow, ice, and trees are described in reference to items in the department store: ink, feathers, vinyl, and umbrellas.
Enhance your holiday concert with this gentle Ukrainian lullaby, set for a solo vocalist and a chamber ensemble of flute, soprano saxophone, 2 clarinets in B♭, bass clarinet, piano, acoustic guitar, vibraphone, and double bass.
Bernstein's Overture to "Candide" is a staple of the concert band and orchestral repertoire. This delicate, chamber setting will engage student's with America's seminal composer in a new and exciting way!
INSTRUMENTATION: piccolo, flute, 2 oboes (2nd doubling english horn), clarinet in B♭, bass clarinet, 2 horns in F, 2 bassoons.
This is a new setting of three songs by Charles Ives, curated from his 114 Songs originally published in 1922. Three Humble Ditties will provide dedicated students with a thrilling foray into modernism, Americana, and chamber music.
INSTRUMENTATION: The cycle is available for both a double wind quintet (piccolo, flute, oboe, english horn, clarinet in B♭, bass clarinet, 2 horns in F, and 2 bassoons) and a wind nonet (flute, oboe, bassoon, horn, clarinet in E♭, two clarinets in B♭, alto clarinet, and bass clarinet). Both versions call for players to double on kazoos. You are currently viewing the NONET version.
This is a new setting of three songs by Charles Ives, curated from his 114 Songs originally published in 1922. Three Humble Ditties will provide dedicated students with a thrilling foray into modernism, Americana, and chamber music.
INSTRUMENTATION: The cycle is available for both a double wind quintet (piccolo, flute, oboe, english horn, clarinet in B♭, bass clarinet, 2 horns in F, and 2 bassoons) and a wind nonet (flute, oboe, bassoon, horn, clarinet in E♭, two clarinets in B♭, alto clarinet, and bass clarinet). Both versions call for players to double on kazoos. You are currently viewing the DOUBLE QUINTET version.
This interactive piece will delight and engage audiences of all ages! This whimsical arrangement, reminiscent of a Looney Tunes "Silly Symphony," employs a narrator reading aloud from Don't Let the Pigeon Drive the Sleigh as the concert band accompanies the story. audience participation is encouraged!
Mo Willems is an author, illustrator, animator, and playwright. He was the inaugural Kennedy Center Education Artist-in-Residence (2019-2022), and he continues to collaborate in creating fun new stuff involving classical music, opera, comedy concerts, dance, painting and digital works with the National Symphony Orchestra, Washington National Opera, Ben Folds, Yo-Yo Ma, and others. Willems is best known for his #1 New York Times bestselling picture books, which have been awarded three Caldecott Honors (Don’t Let the Pigeon Drive the Bus!; Knuffle Bunny: A Cautionary Tale; Knuffle Bunny Too: A Case of Mistaken Identity), and his celebrated Elephant and Piggie early reader series, which has been awarded two Theodor Geisel Medals and five Geisel Honors.